Actual,+Approved+WL+Topics


 * So Yeon || music – the Tarantella dance in //A Doll’s House// and the songs in //The House of Bernarda Alba –// underline the theme of freedom and escape ||
 * Teresa || **responses to oppressive environments** In the plays __The House of Bernada Alba__ by Federico Garcia Lorca and __Teahouse__ by Lao She ||
 * Maura || How costumes and **sets create and reflect conflict and tension** within Frederico Lorca’s __The House of Bernarda Alba__ and Lao She’s __Teahouse__. ||
 * Daisy || The portrayal of **marriage as insurance for stability and status** in Federico Garcia Lorca’s //The House of Bernarda// //Alba// and Henrik Ibsen’s //A Doll’s House// ||
 * Liam || How the design of the home is used to create a secure and easily controlled environment by Torvald and Bernarda. Federico Garcia Lorca’s //The House of Bernarda// //Alba// ||
 * Avril || In //Teahouse//, playwright Lao She utilizes Wang LiFa’s portrayal as a social critique of 50 years of chaotic Chinese history, as seen through the prism of the life and times of a teahouse proprietor ||
 * Kate || **chairs and furniture highlight the difference between the appearance and realities of relationships in** in Federico Garcia Lorca’s //The House of Bernarda// //Alba// and Henrik Ibsen’s //A Doll’s House// **.** ||
 * Kate || **chairs and furniture highlight the difference between the appearance and realities of relationships in** in Federico Garcia Lorca’s //The House of Bernarda// //Alba// and Henrik Ibsen’s //A Doll’s House// **.** ||